The Prompt
Tom has been asked to be best man at his college roommate's wedding. The problem: Tom has been asked to be best man at four weddings this summer. He said yes to all of them because he can't say no to anyone, and through a spectacular failure of calendar management, two of the weddings are on the same day. In the same city. Twelve blocks apart. Tom's plan — to shuttle between both ceremonies in a rented tuxedo on a bicycle — falls apart approximately seven minutes into the first ceremony when he trips over a flower arrangement, accidentally catches the bride's veil on fire (briefly, very briefly), and discovers that the DJ at the second wedding is his ex-girlfriend, who he has not spoken to since the Incident (which he refers to only as 'the Incident' and refuses to elaborate on). Tom must deliver two best-man speeches, manage two warring families, keep two grooms calm, avoid his ex, and somehow get through the worst Saturday of his life — all while carrying both wedding rings in the same pocket.
Variations
- 1. The two grooms don't know each other — until Tom accidentally introduces them during a frantic bicycle commute between venues. They become instant friends, complicating Tom's lies about why he keeps disappearing.
- 2. Tom discovers the two weddings share a catering company, and the same waiter keeps appearing at both venues, growing increasingly suspicious of Tom's behavior.
- 3. Tom's best-man speech for one wedding accidentally gets delivered at the other wedding, and somehow it still works — which is worse, because now both couples think Tom is deeply, personally invested in their relationship.
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Frequently Asked Questions
- How do I escalate comedy without losing believability?
- Each complication should make logical sense even if the cumulative situation is absurd. The bicycle, the shared pocket, the ex as DJ — each is plausible. Together, they're a disaster cascade. Comedy is tragedy plus timing.
- Should Tom be sympathetic or frustrating?
- Both. Tom's inability to say no is sympathetic — he genuinely cares about his friends. But his refusal to plan ahead is frustrating. The audience should root for him while groaning at his decisions.
- How long should a comedy entry be?
- Shorter entries work well for comedy. 150–200 words per entry keeps the pace snappy. Each entry should end on a complication or a joke — give the next writer something to react to.
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